Ableton Mixing Tips

By | 11.07.2019
Ableton Mixing Tips

We show you some tips to streamline your mixing in Live. Decluttering Let’s start by cleaning up your Live Set. Delete any unused tracks for which you have no plans, including Return tracks.
ableton mixing tips

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Ableton Mixing Tips

Liam O’rsquo Mullane gets you introduced in this Ableton Live mixing and workflow tutorial. So discrete, in fact, that you appreciate them only when used in practice. We therefore did the legwork for you and had a good look around, bringing you some highlights here. The Device View Selector window is a fixed size and the Clip Overview window at the bottom of the screen can be re-sized only vertically, but this is perfectly fine to work in. Something that has always been a little restricting in previous Live incarnations, however, is the Browser.

You used to be limited to using dedicated File Browser tabs for quickly accessing specific parts of your hard drive. In terms of adding your own preferred locations, the new Add Folder option enables you to add them to the same fixed panel in the Browser as for all other elements already mentioned. Folder management is now a lot easier to deal with too, as other folders close when you open a new one.

It also negates the need to scroll up and down when the list gets too long due to multiple folders being open. Another way to keep this type of workflow available is to make use of the new defaults option for Audio and MIDI Tracks. This enables you to store preferred devices or plug-ins on a track. When you move these Session clips to Arrangement view they behave just like a clip would if it originated from Arrangement view. One captures parameter changes wherever they happen; this is called All Tracks.

As the name suggests, you have to manually arm the track you want to record Session automation to. In itself this was quite a simple process, but you would also need to Consolidate sequenced pieces of audio on one track so they became a single clip that looped in Session view.

The new approach saves quite a lot of time and all new clips are looped automatically. Start by recording yourself beat-boxing or singing and begin creating a track without any note programming or MIDI controller input.

Its potential as a remixing tool should also not be overlooked, enabling Live to transcribe parts from a track to use with your own chosen drum or melodic sounds. Both are remarkable features, but we tried it for sound replacement and layering while mixing. This facility makes mixing work with audio a bit more flexible. First we add a Gate device, setting the Attack, Hold and Release to very short values while the Threshold is set to only tickle the gate open.

You have to do this because the conversion process listens to the audio clip rather than any subsequent processing. We found that adding a simple high-pass filter to remove the lower, body frequencies of the sound helps Live to detect smaller, flourish-like notes.

If problems still persist you can use additive EQ to raise the volume of the notes in question to help Live out a little bit more. Original post source here.

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Colouring and Labelling The Mixdown in Ableton Live. Here’s the The next 25 tips are about mixing in general, this includes creative and technical aspects. Check out a roundup of some of our latest Splice tips using Ableton Live for mixing and mastering. I have been having a hard time making my tracks as loud as the pros but I understand how EQ works and I use the whole stereo field but still it.

Mixing With Ableton Live

Liam O’rsquo Mullane gets you introduced in this Ableton Live mixing and workflow tutorial. So discrete, in fact, that you appreciate them only when used in practice. We therefore did the legwork for you and had a good look around, bringing you some highlights here. The Device View Selector window is a fixed size and the Clip Overview window at the bottom of the screen can be re-sized only vertically, but this is perfectly fine to work in. Something that has always been a little restricting in previous Live incarnations, however, is the Browser.

SOUND ON SOUND

I have been having a hard time making my tracks as loud as the pros but I understand how EQ works and I use the whole stereo field but still it seems like even with high quality EQ and Compression Neutron I’m still just not as loud as the pro quality stuff. Could this be my layering? My volume?

HOWTO VIDEO: Ableton Live Mixing and Workflow Tips and Tricks

Check our 10 best mixing and mastering tips. Kick and Bass Mixing Tips ICON Instructor Paul Laski takes you into Ableton Live and. Colouring and Labelling The Mixdown in Ableton Live. Here’s the The next 25 tips are about mixing in general, this includes creative and technical aspects. Learn how to produce professional quality mixes using Ableton’s stock Many mixing techniques use these 5 mixing tools, so the first step is to.

Ableton Mixing Tips

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